The year that marked the middle of the 19th century was a turning point for much of the world – just two years earlier, Europe had been embroiled in a series of revolutions that announced that the age of absolute monarchs and the age of nation-states were over Come. In addition to political unrest, the economy was also in transition from the First to the Second Industrial Revolution.

The end of the 18th century saw a radical improvement in manufacturing in countries such as England and France. After this breakthrough, Germany, Italy and the United States quickly caught up in the mid-19th century and developed into independent economic powers.

Candle sellers in front of the cathedral, Chartres, France. Photo taken by Charles Nègre, 1851.

The organ grinder with two children listening. Photo taken by Charles Nègre in the backyard of his workshop at Quai de Bourbon 21 on the Île Saint-Louis in Paris, around 1853.

G. Roman, self-portrait, 1851.

Three chimney sweeps on the Quai de Bourbon, Paris, around 1851.

The Chimney Sweeps by Charles Nègre, c.1851-2.

A Moorish woman with her maid

Captain Hawkes and his daughters, circa 1850. Salted paper print from a reinterpreted calotype negative. Attributed to the Scottish photographer Thomas Rodger (1832 – 1883).

Carriage and team of two horses in Beaulieu, country house of Jean-Gabriel Eynard. Daguerreotype, around 1850.

“The Vampire” – Painter/photographer Henri Le Secq poses behind a gargoyle at Notre-Dame de Paris. Photo taken by Charles Nègre, 1853.

The Chattar Manzil Palace and the Royal Boat of Oude on the Gomti River in Lucknow, India. Photo taken by Felice Beato, 1858. Albumen silver print.

The Geography Lesson, 1851. Image from the stereoscopic daguerreotype of Jean Francois Antoine Claudet.

Sculpture gallery in the “Crystal Palace”, London World's Fair, 1851.

Machines became ubiquitous in manufacturing processes and millions of people earned their living by working in factories. Steamships and telegraph companies connected the New World with the Old. There were migrations from Europe to America – many of them political refugees who had to flee after the wave of national European revolutions of 1848.

But as the world changed rapidly, an invention of no less revolutionary significance would finally allow this transgression to be documented in the most realistic way. Photography arrived just in time to provide a quick and efficient tool for capturing the zeitgeist in images that would resonate for eternity.

Soon after the introduction of the first cameras, professional photographers began traveling the world in search of interesting and relevant portraits, breathtaking landscapes and events of historical significance.

These photographers emphasized the importance of capturing everyday life and ordinary people, leaving an invaluable mark on the world's cultural heritage.

Thomas Martin Easterly's Daguerreotype Gallery, St. Louis, Missouri, 1851.

Daguerreotype of four children from the 1850s.

Poodle of Empress Eugénie, 1850s. Salted paper print from collodion glass negative, from the studio of André-Adolphe-Eugène Disdéri.

Group portrait of Franz Antoine, dated 1850s-60s.

Isambard Kingdom Brunel and others observe the launch attempt of the SS Great Eastern in November 1857.

Italian street musicians

Lynch's Slave Market by Thomas Easterly, c.1852. St. Louis. Missouri.

Mortar batteries in front of Picquet House, Light Division, 1855. Island of Guernsey. Image taken by Roger Fenton (English, 1819-1869).

Calotype depicting a scene from the Great Exhibition of 1851. Hyde Park, London. Attributed to William Henry Fox Talbot.

Paris, around 1851.

Main Street – Oxford, Ohio. On the left is an Elias Kumler and RE Hills store. The large building in the center of the photo is the Mansion House Hotel.

Paris

Portrait of the writer Victor Hugo (1802-1885)

Pyramids of El-Geezeh (from the southwest) by Francis Frith, c.1862.

Quartermaster Fabry of the 1st Hussars. One of the last surviving veterans of Napoleon's army. He is pictured here in full dress uniform and wearing the Saint Helene Medal (issued on August 12, 1857 to all veterans of the wars of the French Revolution and the Napoleonic Empire). Date probably May 5, 1858.

Roadside scene, 1850s.

San Francisco, 1851.

San Francisco Harbor, 1850 or 1851.

Shew's Daguerreian Saloon, San Francisco, 1851.

From family portraits suspicious of the evil device capturing their image to political figures like Napoleon III. and the eighth President of the United States, Martin Van Buren, this collection provides an excellent overview of the 1850s.

Read another story from us: 100-year-old photos show some of the most beautiful women from around the world

Add to this mix the famous construction and departure of the British steamship SS Great Eastern, a Persian dignitary, and a beautiful 19th-century cityscape of Jerusalem, allowing you to enjoy the world through the lens of photographers who lived and died 160 years ago worked.

The post Uncommon outdated Photographs Present how Individuals Lived within the 1850s appeared first on DAILY SAN FRANCISCO BAY NEWS.

The year that marked the middle of the 19th century was a turning point for much of the world – just two years earlier, Europe had been embroiled in a series of revolutions that announced that the age of absolute monarchs and the age of nation-states were over Come. In addition to political unrest, the economy was also in transition from the First to the Second Industrial Revolution.

The end of the 18th century saw a radical improvement in manufacturing in countries such as England and France. After this breakthrough, Germany, Italy and the United States quickly caught up in the mid-19th century and developed into independent economic powers.

Candle sellers in front of the cathedral, Chartres, France. Photo taken by Charles Nègre, 1851.

The organ grinder with two children listening. Photo taken by Charles Nègre in the backyard of his workshop at Quai de Bourbon 21 on the Île Saint-Louis in Paris, around 1853.

G. Roman, self-portrait, 1851.

Three chimney sweeps on the Quai de Bourbon, Paris, around 1851.

The Chimney Sweeps by Charles Nègre, c.1851-2.

A Moorish woman with her maid

Captain Hawkes and his daughters, circa 1850. Salted paper print from a reinterpreted calotype negative. Attributed to the Scottish photographer Thomas Rodger (1832 – 1883).

Carriage and team of two horses in Beaulieu, country house of Jean-Gabriel Eynard. Daguerreotype, around 1850.

“The Vampire” – Painter/photographer Henri Le Secq poses behind a gargoyle at Notre-Dame de Paris. Photo taken by Charles Nègre, 1853.

The Chattar Manzil Palace and the Royal Boat of Oude on the Gomti River in Lucknow, India. Photo taken by Felice Beato, 1858. Albumen silver print.

The Geography Lesson, 1851. Image from the stereoscopic daguerreotype of Jean Francois Antoine Claudet.

Sculpture gallery in the “Crystal Palace”, London World's Fair, 1851.

Machines became ubiquitous in manufacturing processes and millions of people earned their living by working in factories. Steamships and telegraph companies connected the New World with the Old. There were migrations from Europe to America – many of them political refugees who had to flee after the wave of national European revolutions of 1848.

But as the world changed rapidly, an invention of no less revolutionary significance would finally allow this transgression to be documented in the most realistic way. Photography arrived just in time to provide a quick and efficient tool for capturing the zeitgeist in images that would resonate for eternity.

Soon after the introduction of the first cameras, professional photographers began traveling the world in search of interesting and relevant portraits, breathtaking landscapes and events of historical significance.

These photographers emphasized the importance of capturing everyday life and ordinary people, leaving an invaluable mark on the world's cultural heritage.

Thomas Martin Easterly's Daguerreotype Gallery, St. Louis, Missouri, 1851.

Daguerreotype of four children from the 1850s.

Poodle of Empress Eugénie, 1850s. Salted paper print from collodion glass negative, from the studio of André-Adolphe-Eugène Disdéri.

Group portrait of Franz Antoine, dated 1850s-60s.

Isambard Kingdom Brunel and others observe the launch attempt of the SS Great Eastern in November 1857.

Italian street musicians

Lynch's Slave Market by Thomas Easterly, c.1852. St. Louis. Missouri.

Mortar batteries in front of Picquet House, Light Division, 1855. Island of Guernsey. Image taken by Roger Fenton (English, 1819-1869).

Calotype depicting a scene from the Great Exhibition of 1851. Hyde Park, London. Attributed to William Henry Fox Talbot.

Paris, around 1851.

Main Street – Oxford, Ohio. On the left is an Elias Kumler and RE Hills store. The large building in the center of the photo is the Mansion House Hotel.

Paris

Portrait of the writer Victor Hugo (1802-1885)

Pyramids of El-Geezeh (from the southwest) by Francis Frith, c.1862.

Quartermaster Fabry of the 1st Hussars. One of the last surviving veterans of Napoleon's army. He is shown here in full dress uniform and wearing the Saint Helene Medal (issued on August 12, 1857 to all veterans of the wars of the French Revolution and the Napoleonic Empire). Date probably May 5, 1858.

Roadside scene, 1850s.

San Francisco, 1851.

San Francisco Harbor, 1850 or 1851.

Shew's Daguerreian Saloon, San Francisco, 1851.

From family portraits suspicious of the evil device capturing their image to political figures like Napoleon III. and the eighth President of the United States, Martin Van Buren, this collection provides an excellent overview of the 1850s.

Read another story from us: 100-year-old photos show some of the most beautiful women from around the world

Add to this mix the famous construction and departure of the British steamship SS Great Eastern, a Persian dignitary, and a beautiful 19th-century cityscape of Jerusalem, allowing you to enjoy the world through the lens of photographers who lived and died 160 years ago worked.

The post Uncommon outdated Images Present how Individuals Lived within the 1850s appeared first on DAILY SAN FRANCISCO BAY NEWS.

The year that marked the middle of the 19th century was a turning point for much of the world – just two years earlier, Europe had been embroiled in a series of revolutions that announced that the age of absolute monarchs and the age of nation-states were over Come. In addition to political unrest, the economy was also in transition from the First to the Second Industrial Revolution.

The end of the 18th century saw a radical improvement in manufacturing in countries such as England and France. After this breakthrough, Germany, Italy and the United States quickly caught up in the mid-19th century and developed into independent economic powers.

Candle sellers in front of the cathedral, Chartres, France. Photo taken by Charles Nègre, 1851.

The organ grinder with two children listening. Photo taken by Charles Nègre in the backyard of his workshop at Quai de Bourbon 21 on the Île Saint-Louis in Paris, around 1853.

G. Roman, self-portrait, 1851.

Three chimney sweeps on the Quai de Bourbon, Paris, around 1851.

The Chimney Sweeps by Charles Nègre, c.1851-2.

A Moorish woman with her maid

Captain Hawkes and his daughters, circa 1850. Salted paper print from a reinterpreted calotype negative. Attributed to the Scottish photographer Thomas Rodger (1832 – 1883).

Carriage and team of two horses in Beaulieu, country house of Jean-Gabriel Eynard. Daguerreotype, around 1850.

“The Vampire” – Painter/photographer Henri Le Secq poses behind a gargoyle at Notre-Dame de Paris. Photo taken by Charles Nègre, 1853.

The Chattar Manzil Palace and the Royal Boat of Oude on the Gomti River in Lucknow, India. Photo taken by Felice Beato, 1858. Albumen silver print.

The Geography Lesson, 1851. Image from the stereoscopic daguerreotype of Jean Francois Antoine Claudet.

Sculpture gallery in the “Crystal Palace”, London World's Fair, 1851.

Machines became ubiquitous in manufacturing processes and millions of people earned their living by working in factories. Steamships and telegraph companies connected the New World with the Old. There were migrations from Europe to America – many of them political refugees who had to flee after the wave of national European revolutions of 1848.

But as the world changed rapidly, an invention of no less revolutionary significance would finally allow this transgression to be documented in the most realistic way. Photography arrived just in time to provide a quick and efficient tool for capturing the zeitgeist in images that would resonate for eternity.

Soon after the introduction of the first cameras, professional photographers began traveling the world in search of interesting and relevant portraits, breathtaking landscapes and events of historical significance.

These photographers emphasized the importance of capturing everyday life and ordinary people, leaving an invaluable mark on the world's cultural heritage.

Thomas Martin Easterly's Daguerreotype Gallery, St. Louis, Missouri, 1851.

Daguerreotype of four children from the 1850s.

Poodle of Empress Eugénie, 1850s. Salted paper print from collodion glass negative, from the studio of André-Adolphe-Eugène Disdéri.

Group portrait of Franz Antoine, dated 1850s-60s.

Isambard Kingdom Brunel and others observe the launch attempt of the SS Great Eastern in November 1857.

Italian street musicians

Lynch's Slave Market by Thomas Easterly, c.1852. St. Louis. Missouri.

Mortar batteries in front of Picquet House, Light Division, 1855. Island of Guernsey. Image taken by Roger Fenton (English, 1819-1869).

Calotype depicting a scene from the Great Exhibition of 1851. Hyde Park, London. Attributed to William Henry Fox Talbot.

Paris, around 1851.

Main Street – Oxford, Ohio. On the left is an Elias Kumler and RE Hills store. The large building in the center of the photo is the Mansion House Hotel.

Paris

Portrait of the writer Victor Hugo (1802-1885)

Pyramids of El-Geezeh (from the southwest) by Francis Frith, c.1862.

Quartermaster Fabry of the 1st Hussars. One of the last surviving veterans of Napoleon's army. He is pictured here in full dress uniform and wearing the Saint Helene Medal (issued on August 12, 1857 to all veterans of the wars of the French Revolution and the Napoleonic Empire). Date probably May 5, 1858.

Roadside scene, 1850s.

San Francisco, 1851.

San Francisco Harbor, 1850 or 1851.

Shew's Daguerreian Saloon, San Francisco, 1851.

From family portraits suspicious of the evil device capturing their image to political figures like Napoleon III. and the eighth President of the United States, Martin Van Buren, this collection provides an excellent overview of the 1850s.

Read another story from us: 100-year-old photos show some of the most beautiful women from around the world

Add to this mix the famous construction and departure of the British steamship SS Great Eastern, a Persian dignitary, and a beautiful 19th-century cityscape of Jerusalem, allowing you to enjoy the world through the lens of photographers who lived and died 160 years ago worked.

The post Uncommon previous Photographs Present how Individuals Lived within the 1850s appeared first on DAILY SAN FRANCISCO BAY NEWS.

The year that marked the middle of the 19th century was a turning point for most of the world ― just two years before, Europe was tangled in a series of revolutions that announced the age of absolute monarchs was over, and the age of national states was coming. Besides political turmoil, the economy was also transitioning between the First and the Second Industrial Revolution.

With the end of the 18th century came the radical improvement of manufacture in countries such as England and France. Following this breakthrough, by the mid-19th century, Germany and Italy, as well as the United States, were quickly catching up and becoming the economic power-houses in their own right.

Candle seller in front of the cathedral, Chartres, France. Photograph taken by Charles Nègre, 1851.

Le joueur d’orgue de barbarie et deux enfants (The Barrel Organ Player With Two Children Listening). Photograph taken by Charles Nègre in the backyard of his workshop at 21 Quai de Bourbon, on the Île Saint-Louis in Paris, circa 1853.

G. Roman, Self Portrait, 1851.

Three Chimney Sweeps on the Quai de Bourbon, Paris, circa 1851.

The Chimney Sweeps by Charles Nègre, circa 1851-2.

A Moorish Woman with her Maid

Captain Hawkes and his Daughters, circa 1850. Salted paper print from a Calotype negative reimagined. Attributed to Scottish photographer Thomas Rodger (1832 – 1883).

Carriage and team of two horses at Beaulieu, country house of Jean-Gabriel Eynard. Daguerreotype, circa 1850.

‘The Vampire’ – Painter/photographer Henri Le Secq poses behind a gargoyle of Notre-Dame de Paris. Photograph taken by Charles Nègre, 1853.

The Chattar Manzil Palace and the Royal Boat of Oude on the Gomti River in Lucknow, India. Photograph taken by Felice Beato, 1858. Albumen silver print.

The Geography Lesson, 1851. Image from stereoscopic daguerreotype by Jean Francois Antoine Claudet.

Sculpture gallery in the “Crystal Palace”, London World’s Fair, 1851.

Machines became ever-present in manufacturing processes and millions of people took to working in factories for a living. Steamships and telegraph companies connected the New World with the Old. Migrations were taking hold from Europe to America ― many of them involving the political refugees who were forced to flee after the wave of European national revolutions of 1848.

However, while the world was rapidly changing, one invention, of no less revolutionary significance, would finally enable this transgression to be documented in the most realistic of ways. Photography came just in time to provide a fast and efficient tool for capturing the spirit of the era in images that would echo through eternity.

Soon after the first cameras came into use, professional photographers started traveling the world, in search of interesting and relevant portraits, breathtaking landscapes and events of historic significance.

These photographers emphasized the importance of capturing everyday life and ordinary people, leaving an invaluable trace on the cultural heritage of the world.

Thomas Martin Easterly’s Daguerreotype Gallery, St. Louis, Missouri, 1851.

Daguerrotype of four children from the 1850s.

Empress Eugénie’s Poodle, 1850s. Salted paper print from collodion glass negative, from the studio of André-Adolphe-Eugène Disdéri.

Group portrait by Franz Antoine, dated 1850s-60s.

Isambard Kingdom Brunel and others observing the SS Great Eastern launch attempt, November 1857.

Italian Street Musicians

Lynch’s Slave Market by Thomas Easterly, circa 1852. St. Louis. Missouri.

Mortar batteries in front of Picquet House, Light Division, 1855. Island of Guernsey. Image taken by Roger Fenton (English, 1819 – 1869).

Mounted Calotype depicting a scene from the Great Exhibition of 1851. Hyde Park, London. Attributed to William Henry Fox Talbot.

Paris, circa 1851.

High Street – Oxford, Ohio. On the left is a store owned by Elias Kumler and R. E. Hills. The large building in the center of the photograph is the Mansion House hotel.

Paris

Portrait of the writer Victor Hugo (1802-1885)

Pyramids of El-Geezeh (From The Southwest) by Francis Frith, circa 1862.

Quartermaster Fabry of the 1st Hussars. One of the last surviving veterans of Napoleon’s army. He is shown here in full dress uniform, wearing the Saint Helene medal (issued August 12 1857, to all veterans of the wars of the French Revolution and the Napoleonic Empire). Date believed to be May 5, 1858.

Roadside scene, 1850s.

San Francisco, 1851.

San Francisco harbor, 1850 or 1851.

Shew’s Daguerreian Saloon, San Francisco, 1851.

From family portraits, suspicious of the devilish contraption that captures their image, to political figures such as Napoleon III and the eighth president of the United States, Martin Van Buren, this collection offers an excellent overview of the 1850s.

Read another story from us: 100-Year-Old Photos depict some of the most beautiful women from all over the world

Add to that mixture the famous construction and departure of the British steamship ocean liner SS Great Eastern, a Persian dignitary and a beautiful cityscape of 19th century Jerusalem, so you can enjoy the world through the lenses of photographers who lived and worked 160 years ago.

The post Uncommon outdated Pictures Present how Individuals Lived within the 1850s appeared first on DAILY SAN FRANCISCO BAY NEWS.

RESIDENTS in a tiny home village have allegedly received a notice from their landlord that rent costs will increase astronomically as 2024 approaches.

In Petaluma, California, about 40 miles north of San Francisco, tenants at the Little Woods Mobile Villa claimed they’d face homelessness after hearing of the skyrocketing prices.

Residents at a tiny home village in Petaluma, California, could face over $1,000 in rent increasesCredit: KTVU
The village owners claimed they increases were due to high expenses and operation feesCredit: KTVU

The tiny home community holds about 80 residents in total, all of whom were supposedly issued a packet of documents earlier this week noting rent increases of a staggering 300 percent, per local Fox News affiliate KTVU.

Resident Darrell Pike, one of many who has lived at Little Woods Mobile Villa for decades, blamed the proposed rent changes on “greed.”

“That’s outrageous,” Pike frustratingly told the outlet.

“This is greed, pure greed.”

Pike claimed his packet showed a total of a 343 percent increase to his current monthly rent costs of $500, meaning his rent in 2024 would be over $2,215 instead.

That’s an extra $1,700 per month on an annual lease, resulting in an extra total cost for the year of over $20,000.

The baffled resident explained that he’d lived with his brother in their tiny home for some time, but with the 343 percent increase, it would put serious strain on the pair to come up with the money.

“I can’t afford to move anywhere else,” Pike claimed.

“If we don’t have this community, what do we have? We have homelessness.”

Other residents like Christopher Brown echoed feelings that the prices were unfair.

“I feel this isn’t fair,” he said to KTVU.

“They don’t want us living here anymore.”

Brown currently resides in one of the oldest tiny homes in the village, along with his dogs and girlfriend.

The tenant argued that his alleged 339 percent increase was “ludicrous” and that it isn’t fair treatment of the residents.

My roof doesn’t leak, my plumbing works, it’s my home,” Brown explained.

“A $1,531 increase [a month] for a space rental is just ludicrous.”

He continued: “I don’t fee that I deserve this treatment.”

“I feel like we deserve a fair shake.”

The landlords and owners of the tiny home village stood their ground on the increased costs and claimed any lack of adherence to it could ultimately lead them to file for bankruptcy.

“As property owners, we’re seeking a fair market rent or considering closing the business before we are forced out,” Little Woods Mobile Villa owner Nick Ubaldi told KTVU.

The City of Petaluma also seemingly made efforts to mitigate the rent increases, as earlier this year, it set a cap on annual rent hikes at mobile home parks like Little Woods.

According to the ordinance, the rent control caps allow for about 70 percent of inflation change, which is about 2.9 percent in 2023 for the Bay Area.

That means a maximum of a 2 percent increase would be allowed.

Petaluma City Councilmember Karen Nau explained to the outlet that the property owners at several mobile homes like Little Woods have argued that their expense costs require the high rent.

“The reason why the owners want to raise the rent is to have more revenue,” Nau said.

“They say their expenses exceed the income.”

Landlords who want to raise the rent higher than the cap mandated by the city ordinance are required to petition the city for arbitration.

Nau noted that Ubaldi and the Little Woods owners complied with this requirement.

Court officials will look over the tiny home village owners’ financials to confirm that the expenses coincide with the cost asks.

The councilwoman said she was afraid of what the increases could mean for low-income residents in Petaluma.

“We want businesses to thrive in Petaluma but not on the backs of our tenants,” the councilwoman told KTVU.

“Especially our lower income.”

Neighbors of Little Woods explained to the outlet that at least 80 percent of the residents in the tiny home village don’t speak English well, and most are low-income.

Some residents explained to KTVU that they would be willing to pay slightly more for their units, but increases over 300 percent just aren’t feasible.

The U.S. Sun contacted Ubaldi for further comment on the increases, and he elaborated more on the specifics of the city ordinance’s effect.

Ubaldi explained that the owners and the tenants find themselves in a tough situation, as he and his family, who have operated Little Woods since it opened, allegedly have little room to issue steady rent increases.

He claimed they are stuck at charging low costs no matter their expenses, given the city ordinance.

“The Petaluma rent control ordinance permits an increase of only 70% of inflation each year. Meanwhile, our costs rise at 100% or more of inflation annually,” he wrote to The U.S. Sun in an email.

“This trajectory leads us down the slow road to bankruptcy. The ordinance allows no adjustment for new incoming tenants when a mobile home is sold.”

He continued: “Meaning, when an owner sells their home, that rent is tied to the space forever.

“There is no safety valve for private business owners who are left holding the bag, permanently subsidizing affordable housing for the city of Petaluma.”

The post I’ve lived in my tiny house village for many years & immediately acquired a 300% hire improve appeared first on DAILY SAN FRANCISCO BAY NEWS.

Human Interest

By Taylor Knight

Published
Sep. 23, 2023, 12:24 p.m. ET

He sacrificed a few years of comfort for a lifetime of financial freedom.

Arizona man Nicholas Bauer says he went to extreme lengths to save cash in his 20s, living in cars in order to pay off all his debt.

“When you have no rent and no bills to pay, that money just stacks,” Bauer, 32, declared in the latest episode of “Big Super Living In Arizona.”

In the series, which showcases America’s most affordable housing options, Bauer boasts that he saved up so much cash that he was able to buy a home outright, and is no longer dependent on a job to get by.

Bauer told the program that he started living in cars in 2015 while working as an automotive engineer, making $11.50 per hour. At the time, he says he had racked up extensive debt.

He was determined to find a “solution to the housing crisis,” so he decided to permanently “live a debt-free lifestyle by living in vehicles.”

The creative engineer parked his Dodge Dakota truck, which he had driven since high school, at his workplace’ parking lot and attached a camper to the back.

Arizona man Nicholas Bauer says he went to extreme lengths to save cash in his 20s, living in cars in order to pay off all his debt. Youtube

Bauer now lives in a “compound” on two-acres of land, which he paid for in cash. Youtube

Bauer’s boss allowed the unconventional living conditions on company property since he was often required “to pull all-nighters” and would use the vehicle for off-roading.

Eventually, the self-proclaimed “full-time desert dweller” moved into his next vehicle, a 404 Series Unimog truck. The vehicle’s interior had a bed, wood flooring, a 40-inch flat-screen TV, and internet.

The one thing his humble abode was missing was a bathroom, forcing him to urinate into a Nalgene water bottle. When it came to more serious bathroom business, Bauer planned his toilet breaks at work since he didn’t have one at home.

The scheduled bathroom breaks were enough to convince Bauer to upgrade to another vehicle.

“When you have no rent and no bills to pay, that money just stacks,” Bauer, 32, declared in the latest episode of “Big Super Living In Arizona.” Bauer is seen with one of the vehicles he lived in. Youtube

Bauer moved into “the dragon wagon,” a merger of two military trucks with a 1987 Fleetwood Prowler trailer on the back incorporating solar panels.

He described the vehicle as a “Frankenstein contraption.” However, just like the monster, his truck fell apart during a road trip to San Francisco. While saving money to restore the dragon wagon, he transitioned into a Chevy pickup.

His pickup, parked outside a Planet Fitness lot, operated like a work camper and included a fold-out bed, heater, and CCTV cameras.

When things got serious with Bauer’s girlfriend, who became pregnant with a baby girl, the pair knew it was time to settle down in a more permanent home.Youtube

Bauer lives in a mobile home with his girlfriend and daughter. The modest interior is pictured. Youtube

However, when things got serious with Bauer’s girlfriend, who became pregnant with a baby girl, the pair knew it was time to settle down in a more permanent home.

Now, the family of three lives in a mobile home on Bauer’s two-acre “paid-off compound,” where he also stores all the cars he used to live in. He didn’t disclose how much the property cost, nor how much money he still has left in his bank account.

Although Bauer recently lost his job, he has no worries about providing for his family, especially after years of saving.

Now the 32-year-old lives in a mobile home on his paid off compound.Youtube

“I don’t really have to worry about anything because there’s no rent, there’s no mortgage,” Bauer shared, also adding that he was now debt free.

But the Arizona man hasn’t given up on his love of automobiles.

Even with a more anchored lifestyle, he still has dreams “to live in the woods with 50 trucks.”

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MORE than a dozen tenants have received eviction notices as their landlord prepares for a large-scale construction project.

Residents at the 39-unit Portofino Riviera complex in Sausalito, California – across the bay from San Francisco – have until October 31 to vacate their homes.

More than a dozen tenants have received eviction notices at an apartment building in Sausalito, CaliforniaCredit: KTVU
That includes Judy Holmes, 94, who has lived there for 11 years and isn’t sure where she’ll be living once the eviction order goes into effect on October 31Credit: KTVU

Judy Holmes, 94, has lived in her unit at the building for 11 years.

“They must have known what they were going to do,” she told The Marin Independent Journal.

“It’s a disgraceful way to behave.”

Holmes, who’s not sure where she’ll go once she has to leave, is one of 21 tenants who received an eviction notice.

The property owners said the move is necessary to make repairs to the building’s electrical, plumbing, and sewage systems, which are in poor shape.

“In the past year, we have operated the property at nearly 50 percent occupancy to avoid overloading these systems while we actively investigated solutions,” management told The U.S. Sun.

“We are now faced with the reality that the critical repairs which are necessary are highly invasive to both resident common areas and unit interiors and cannot be safely performed while the building is occupied.”

They initially thought the apartment could be fixed with the tenants still living there, but later realized that wasn’t the case.

Rent will be waived through October 31, management said.

But it will likely go up once the renovations are complete, said Todd Rothbard, an attorney representing the complex.

“How else will they pay for the repairs?” he said.

Holmes pays $2,000 per month for her studio, up from $1,400 when she first moved in.

A one-bedroom apartment in the building is currently going for nearly $3,700 and two-bedroom units rent for as much as $7,911.

City officials met with the property owners on Wednesday at the behest of Mayor Melissa Blaustein.

“Whether or not these evictions are lawful is beyond the point, the landlord needs to do what is right,” she told The Marin Independent Journal.

“Any time seniors and long-time tenants are evicted, it is alarming. The city is working to do everything possible to provide services and support as we call upon the property owner to chart a reasonable path forward.”

But the property owners said the building will be in much better shape once the work is completed.

“The building will be renovated during the course of the next year with the goal of modernizing systems and preserving critical rental housing stock in Sausalito,” they said.

The post I am 94 and have lived in my rental for 11 years appeared first on DAILY SAN FRANCISCO BAY NEWS.

In the course of their 30-year career, the Grateful Dead covered an enormous swath of geography, crisscrossing the U.S. dozens of times as well as playing Canada, Europe, and as far away as Egypt. But San Francisco was the place they called home, the city where they performed over 320 concerts at more than two dozen venues. That connection began with their debut album, which bore the phrase “San Francisco’s Grateful Dead” across the back, and they mapped that relationship in songs, recordings and performances throughout their history.

The Dead were masters of microcosm, treating each moment as an opportunity for transformation, both musical and personal, and their reverence for San Francisco was a geographic expression of that. The city honored the band’s affection, flying a tie-dye flag at City Hall to half-mast when Jerry Garcia died in 1995, and more recently, giving a hero’s welcome to offshoot band Dead & Company, who played the final three concerts of their farewell tour at Oracle Park. 

Although the band began moving to Marin in the late 1960s, the Dead never forgot their roots. In 1993, Jerry Garcia, Bob Weir and keyboardist Vince Welnick sang the national anthem to open the Giants’ season at Candlestick Park, but their most moving tribute was “Standing On the Moon,” one of Garcia and lyricist Robert Hunter’s last songs. One of the band’s great elegies, the song ends with the narrator in San Francisco, looking up at heaven and saying he’d rather “be with you.” It is a poetic summation of the Dead’s enduring affection for the city.

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Ahead of the annual Jerry Day concert taking place Aug. 5 at McLaren Park, this brief list sketches a handful of prominent sites in the Dead’s San Francisco. 

A view of Jerry Garcia’s boyhood home (in yellow) on Harrington Street in San Francisco. 

Image via Google Street View

87 Harrington St.

Jerry Garcia spent five years of his childhood here with his grandparents, after the tragic death of his father. In the late 1960s, the house became a base for visiting friends and members of the Dead’s extended family, including colorful characters such as poet Max Finstein. It was also a site for art, Garcia using it as the focal point for his illustrated “anecdotal” memoir, “Harrington Street,” published shortly after his death in 1995.

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The house where the Grateful Dead’s musicians lived in the 1960s, at 710 Ashbury St. in San Francisco. 

Barbara Munker/Picture Alliance via Getty Images

710 Ashbury

The Dead began moving into the big Victorian just up from Haight Street in summer 1966, where it quickly became a neighborhood center. It hosted a legendary Thanksgiving that fall, with dozens of friends and fellow musicians, and a historic press conference in 1967, where the band defended themselves against a police raid. Their debut album featured pictures of them at the house, which remains a site for Deadhead pilgrims today.

Author Tom Wolfe talks with Jerry Garcia of the Grateful Dead and the band’s manager Rock Scully under the street signs on the corner of Ashbury and Haight streets in San Francisco.  

Ted Streshinsky Photographic Arc/Corbis via Getty Images

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Upper Haight Street

The stretch of Haight between Buena Vista Park to Stanyan Street was ground zero of the hippie movement, immortalized by the Dead with a March 3, 1968, free concert that filled the street with friends, fans and neighbors. While the Dead lived in the neighborhood, they frequented Peggy Caserta’s boutique Mnasidika, the Thelin brothers’ Psychedelic Shop, and performed a handful of concerts at the Straight Theater, a short-lived neighborhood venue that played a key role in the Summer of Love.

16th and Mission

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Hunter had an apartment here in the late 1960s, and he immortalized his fondness for the neighborhood in one of his most beloved songs with Garcia, “Mission in the Rain.” 

Concert in Golden Gate Park with Grateful Dead and Jefferson Starship, on Sept. 28, 1975. 

Terry Schmitt/San Francisco Chronicle via Getty Images

Golden Gate Park

The Dead loved Golden Gate Park, playing free concerts at several spots, including the Panhandle, Hippie Hill, Speedway Meadows, and most famously the Polo Field, where they performed at the Human Be-In in January 1967 with an array of San Francisco bands, Beat poets and other counterculture luminaries. Garcia loved the way it contained “all these different worlds,” calling it “the work of an artist.”

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1199 Evans St.

Site of the cover portrait of the band’s famed 1970 album “Workingman’s Dead,” artist Stanley Mouse posed the band in this industrial section of the city on a hot day, which he thought “added to the downtrodden, working-class feeling of the photograph.” 

Mars Hotel (192 Fourth St.)

The Dead named their 1974 studio album for this rundown hotel, featured prominently in Jack Kerouac’s 1962 novel “Big Sur.” Stanley Mouse and Alton Kelley’s cover made the hotel the center of an otherworldly landscape; the back cover photograph showed the band lounging in the lobby, with the musicians transformed into fantastic creatures. The art captured the band’s self-deprecating sense of humor, but it also charted their continuing metamorphosis into mainstream rock stars.     

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The former site of Pacific High Studios on Brady Street in San Francisco.

Image via Google Street View

Pacific High Studios (60 Brady St.)

Originally a plastics factory, this building became the home of one of the principal studios in the San Francisco music scene. The Dead booked dozens of sessions for their 1969 album “Aoxomoxoa” here, and although they ended up scrapping those tracks, they used the studio to superb effect for “Workingman’s Dead.”  

The site of CBS Studios where the Grateful Dead recorded their album “From the Mars Hotel.”

Image via Google Street View

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CBS Studios (829 Folsom)

The Dead recorded “From the Mars Hotel” at this recently rechristened South of Market studio, site of the old Coast Recorders studio where they had recorded their 1967 paean to the Haight-Ashbury “The Golden Road.”  

Wally Heider Studios (245 Hyde St.)

One of San Francisco’s most storied studios, this long-running institution birthed dozens of famous albums, including the Dead’s 1970 masterpiece “American Beauty.” The band left its mark in other ways as well, persuading Heider to have the doors decorated with paintings.

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Bill Graham, left, rock concert producer and promoter, talks on the phone in his office at the Fillmore West music club, in San Francisco, August 1969. A promotional postcard, right; for concerts at the Fillmore Auditorium, featuring the Grateful Dead, October 1966. 

Images via Getty

Fillmore Auditorium (1805 Geary Blvd.)

Made famous by famed promoter Bill Graham, the Fillmore anchored the burgeoning San Francisco rock music scene in the 1960s, hosting the Dead 46 times. The Fillmore cemented Graham’s relationship with the Dead, and he remained one of their two principal promoters until his untimely death in 1991. 

Avalon Ballroom (1268 Sutter St.)

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Run by beloved hippie impresario Chet Helms from 1966 to 1968, the Avalon was a hub for the Haight-Ashbury scene, known for its relaxed and welcoming atmosphere. It hosted the Dead 30 times, including appearances commemorated by some of the most iconic posters in rock.

Marquee on New Year’s Eve 1978, at left, for the final shows at Winterland with the Grateful Dead, right, and the Blues Brothers in San Francisco.

Images via Getty

Winterland Ballroom (2000 Post St.)

An old ice-skating rink cum concert hall, the 5,400-seat Winterland was the next step up from the Fillmore and Avalon. It hosted the Dead 59 times between 1967 and 1978, stewarding their transition from neighborhood heroes to national icons, documented by some of the band’s most revered archival releases. Bill Graham honored that history by tapping them to close the hall with a legendary New Year’s Eve 1978 concert later released as a DVD and CD.

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Carousel Ballroom/Fillmore West (10 South Van Ness Ave.)

Occupying the old El Patio Ballroom, the Carousel was a short-lived colorful experiment in hippie entrepreneurialism cooperatively run by the Dead, Jefferson Airplane and Big Brother and the Holding Company. It lasted for part of 1968 before Bill Graham took it over and renamed it the Fillmore West. Those ventures represented a stepping stone between the Haight and the big time, not only for the Dead and the scene, but also for Graham, providing the West Coast counterpart to his Fillmore East in New York City.

FILE: Grateful Dead performing at the Warfield in San Francisco on Oct. 14, 1980. 

Larry Hulst/Getty Images

Warfield Theatre (982 Market St.)

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The site of one of the Dead’s most remarkable box office feats, the Warfield hosted the Dead for 15 nights in fall 1980, sold out with only a cryptic ad in the newspaper. The Dead played only a few more shows at the Warfield, outgrowing it after 1983, but it became a major venue for the Jerry Garcia Band in the 1990s, with devout Deadheads calling it the Church of Jerry.

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